Ambient soundscapes both natural and human-made fall into this category.Īs a nature field recordist, I always set my gains conservatively low just in case any wildlife comes close to my microphones. Unpredictable environments are more for the field recordist capturing sounds unattended or outside of a studio environment.
Thunderstorms are another example of dynamic sounds that benefit from 32-bit float. In these scenarios, 32-bit float can save the sound mixer from having to adjust gains in real time and from sorting through dual-recordings in post to find the unclipped track. Scenes with large dynamic range could be dialog with whispering and shouting, or car scenes with dialog and engine sounds. Recording scenes with large dynamic range. 32-bit float is ideal for recordists under two scenarios:
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